Book of the Week-Big Magic: Creative Living Beyond Fear

January 15th, 2016

Big Magic was on my wish list this Christmas. However, there was some confusion and I ended up with, The Magic Strings of Frankie Presto which is not usually my type of book but I thoroughly enjoyed it. It is beautifully written and I couldn't put it down until it was done. It made me want to pick up a guitar and learn to play Flamenco. Then I started reading Diana Leeson Fisher's new book, The Accidental Farmwife and, just like that, the urge to devote myself to Flamenco music died. I had moved on. Diana's book revived my dream of owning chickens, a goat and a vegetable garden.

Last week, I went to Indigo Books in Barrhaven with my girls and bought Big Magic. I was eager to read it and gain some new wisdom or tips I could integrate into my workshops. The book wasn't what I expected. I read it in its entirety and many parts made me laugh but it's an unusual book. It feels like a pep talk or motivational speech for writers. Basically, the author explains that we all have a treasure buried deep within us that we can choose to unearth. She encourages the reader to write for the pleasure of it and not take it so seriously. She describes the way a creative calling or idea comes your way and waits for your collaboration. If you ignore it, it will keep going until someone else produces the exact same thing and you think: "That was my idea". The author, Elizabeth Gilbert, warns the reader to avoid the common mistake of believing that you must suffer for your art. She assures us that it is possible to enjoy, and surrender to, the process. She also instructs artists to follow their curiosity rather than wait for a deep passion to emerge. The goal is to stay busy and keep moving. When she feels stuck, she may pursue a new interest and find that her creative flow has returned.

The section that was most inspirational to me was devoted to an artist's work ethic. Elizabeth has pledged that she will write throughout her life no matter what: success, failure, lack of inspiration, no motivation etc. She doesn't "burden" her art with the expectation to make a living. Therefore she worked other jobs for money while she continued to write until the success of Eat, Pray, Love. This was a new way of perceiving my passion. Much of what I do: write and publish children's books, offer workshops to children or to women in their 40s, 50s and 60s, interview people for the local paper and write this blog, feeds my soul. I thoroughly enjoy all of it. I become conflicted when I try to earn a certain amount of money from my work. Then, the success of the work is determined by my pay as opposed to my sense of purpose. It may be worthwhile to work for money during the day at a stress-free job and enjoy my calling in the evenings and weekends, unconcerned with the financial aspect of these endeavours. Food for thought!